MODERN Magazine, Editor in Chief
Beth Dunlop is an award-winning editor, writer, and architecture critic. She is the author of thirteen books including The Tropical Cottage; Miami: Mediterranean Splendor and Deco Dreams; Aqua: Miami Modern by the Sea; Arquitectonica; Building a Dream: The Art of Disney Architecture; A House for My Mother: Architects Build for Their Families, and co-author with Joanna Lombard, of Great Houses of Florida and The Architecture of Duany and Plater-Zyberk. She has also contributed essays to books on architecture, art, and urbanism. She was editor-in-chief of an expanding group of regional design/shelter magazine titles, of which HOME Miami was the flagship, and created the online-only HOME Los Angeles. She was also the Miami Herald’s longtime architecture critic and has written extensively for such design and architecture magazines as House & Garden, Metropolitan Home, Architectural Digest, Architectural Record, and many more. She served as guest editor for the Wolfsonian’s Journal of Decorative and Propaganda Arts, Volume 23, and has edited a number of university and academic publications. She has served on such awards juries as the American Society of Landscape Architects and the National Trust for Historic Preservation, and has been a lecturer at design centers, universities, libraries, and museums.
“THE VIBRANT PAGES OF MODERN MAGAZINE BRING LIFE TO 2OTH CENTURY DESIGN AND OFFERS A CONTEXT FOR CONTEMPORARY WORK. OUR APPROACH TO DESIGN, ARCHITECTURE, AND THE DECORATIVE ARTS IS A FRESH, LIVELY, AND INTELLIGENT ONE THAT APPEALS TO THE COLLECTOR AND THE CONNOISSEUR ALIKE.”
MODERN Magazine, Publisher
Cara Barrese is the Publisher of Modern Magazine as well as Senior Account Manager for Art in America and Artnews. She joined Art in America in 2001 and relocated to Los Angeles as the West Coast Ad Manager from 2005-2015 before returning to New York. Prior to joining Art in America, Ms. Barrese was an Outside Sales Manager at Corbis Images and an Advertising Representative at Artnews. Ms. Barrese received her B.A. from Hofstra University where she majored in Art History. She currently resides in Brooklyn with her husband and son.
“MODERN BOASTS AN AUDIENCE OF PASSIONATE DESIGN COLLECTORS AND TRENDSETTING DESIGNERS. AN AFFLUENT GROUP OF MODERN’S COMPELLING EDITORIAL, CONSISTENT REACH INTO THE DESIGN COMMUNITY, AND VISIBILITY AT TOP DESIGN AND ART EVENTS, YIELDS RESULTS FOR OUR LOYAL ADVERTISING BASE.”
The Art of Lighting
Preserving Modern Architecture
High Design for Floors and Walls
*Editorial focus subject to change.
OVER 15,000 FOLLOWERS
Modern’s growing digital community is engaged 24/7 beyond the pages of the magazine.
From daily Facebook sharing to Tweets and Instagram posts, our readers stay connected to the art world and drive the conversation.
For all production related information, such as production charges, Pantone (PMS) colors, detailed digital specs, uploading information, contact:
Adeline Saez: 212.398.1690 x2151 | firstname.lastname@example.org
Send all materials to:
110 Greene Street, 2nd floor
New York, NY 10012
email@example.com | p: 212.398.1690
FINAL FURNISHED MATERIALS:
- Images must be CMYK and 300dpi or greater at 100% of output size.
- Maximum color density is not to exceed 300%. Four-color black backgrounds are not recommended. If using a rich black, the preferred breakdown is 50% C; 40% M; 30% Y; 100% K.
- For bleed ads: Text and images must be .5″ from the trim on all four sides (.625″ from bleed).
- Typeface of 6-point or smaller will not be accepted.
- Preferred file format is PDF/X 1a or a high-resolution PDF. Other acceptable file formats are JPEG, TIFF, or EPS.
- Digital images must be CMYK and at least 300dpi at 100% of output size. Slides and transparencies must carry a tag for identification, and must clearly state front, top and bottom.
- Photographs should be sharp focus and high contrast: 8” x 10” or 5” x 7” preferred.
- F.P.O. artwork and type must be positioned in the correct size and location and must be clearly marked.
- All supplied material must be sent via overnight
service in rigid packaging to avoid bending or damage.
MATERIALS REQUIRING PRODUCTION WORK:
All color files must be supplied with a SWOP approved proof with color bars. The only accepted proofs are Kodak© APPROVAL, Fuji© Final, or Matchprint© DIGITAL H/T. The SWOP color bars must appear on supplied proof. Proofs must be created with SWOP Web Offset gains and screened at 133-line screen on publication base, to SWOP standards. A laser proof should be supplied for type placement check against the final furnished file. Laser proofs and color laser proofs are NOT acceptable for ads. If a color ad is submitted without one of these proofs, we can pull a proof for a fee of $80.00. The proof will go directly to the printer for press guidance. SWOP proofs pulled by Modern Magazine will only be shown to client upon request provided that the ad has been submitted on or before the published advertising materials deadline. The publication is not responsible for color of proof if client is not able to sign off on proof. The publication is not responsible for variance between digital file and any proof not listed above. If these requirements are not met, reproduction will not be guaranteed.